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I promise there's more to say about Spec Ops: The Line!

Watch on Nebula: https://nebula.tv/videos/jacob-geller-what-we-dont-talk-about-in-spec-ops-the-line

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What We Don't Talk About in "Spec Ops The Line"

I have come to realize the body is its own pyre, that degree rises from within | Watch my exclusive video on Six Days in Fallujah by joining Nebula at https://go.nebula.tv/jacob-geller BUY MY BOOK: https://www.lostincult.co.uk/howagamelives Watch my Nebula-exclusive video on Six Days in Fallujah: https://nebula.tv/videos/jacob-geller-does-six-days-in-fallujah-deserve-the-infamy Watch THIS video on Nebula: https://nebula.tv/videos/jacob-geller-what-we-dont-talk-about-in-spec-ops-the-line Patreon: https://www.patreon.com/JacobGeller Merch: https://store.nebula.app/collections/jacob-geller Instagram: https://www.instagram.com/jacobgellervideos Twitter: https://twitter.com/yacobg42 Listen to my podcast about Spec Ops: The Line: https://open.spotify.com/episode/07Hyz8mrZ8CgIuY4yQgUc7?si=3209fad3005340d5 Watch Errant Signal’s video on Spec Ops: The Line: https://youtu.be/wlBrenhzMZI?si=2ho1l5RqlXOW-XXu Read “Killing is Harmless by Brendan Keogh: https://brkeogh.itch.io/killing-is-harmless Sources: “Race, Gender, and Genre in Spec Ops: The Line” by Soraya Murray: https://online.ucpress.edu/fq/article-abstract/70/2/38/29239/Race-Gender-and-Genre-in-Spec-Ops-The-Line “War Bytes: The Critique of Militainment in Spec Ops: The Line” by Matthew Thomas Payne: https://www.tandfonline.com/doi/abs/10.1080/15295036.2014.881518 “The Use of White Phosphorus Munitions by U.S. Military Forces in Iraq” by David Fidler: https://www.asil.org/insights/volume/9/issue/37/use-white-phosphorus-munitions-us-military-forces-iraq U.S. Department of State on the use of White Phosphorus in Fallujah: https://web.archive.org/web/20060104041818/http://usinfo.state.gov/media/Archive_Index/Illegal_Weapons_in_Fallujah.html “The Fight for Fallujah” in Field Artillery Magazine by Cobb, LaCour, and Hight: https://web.archive.org/web/20060104053204/http://www.tradoc.army.mil/pao/ProfWriting/2-2AARlow.pdf “Pentagon Reverses Position and Admits U.S. Troops Used White Phosphorus Against Iraqis in Fallujah” by Democracy Now (featuring quotes by Lt. Col. Venable and George Monbiot): https://www.democracynow.org/2005/11/17/pentagon_reverses_position_and_admits_u “U.S. used white phosphorus in Iraq,” BBC: http://news.bbc.co.uk/2/hi/middle_east/4440664.stm Rain of Fire by Human Rights Watch (Documentary): https://youtu.be/wRuzEs9Y5KE?si=621QSY40-Zbzz6tp Rain of Fire: Israel’s Unlawful Use of White Phosphorus in Gaza by Human Rights Watch (Report): https://www.hrw.org/report/2009/03/25/rain-fire/israels-unlawful-use-white-phosphorus-gaza The Human Cost of Incendiary Weapons and the Limits of International Law by Human Rights Watch: https://www.hrw.org/report/2020/11/09/they-burn-through-everything/human-cost-incendiary-weapons-and-limits# Media shown: Spec Ops: The Line, Call of Duty 4: Modern Warfare, Apocalypse Now, stock footage from Getty Images and Reuters Archive Music Used (Chronologically): The Looters, The Lost Battalion, The Pit, Burning Courtyard (all from Spec Ops: The Line), Multiplayer Menu (Call of Duty: Modern Warfare 2), Afterlife (Call of Duty: Infinite Warfare), Do I Look Okay To You, GP04, Human Cost (all from Spec Ops: The Line), Embassy (Call of Duty: Modern Warfare 2019), The Lab (Call of Duty: Modern Warfare 2019), Burning Courtyard (Spec Ops: The Line), Max: NJ (Max Payne 3), Dead (Max Payne 3), Mellifera (They Dream By Day), The Caves of Mercury (Kilian Flowers) Additional music and sound effects from Epidemic Sound Additional footage from Getty Images and Reuters Archive Thumbnail and Graphic Design by https://twitter.com/HotCyder Description credit: “Napalm” by Quan Barry

Comments

Carmen Sinclair

the way i have been WAITING for jacob geller to discuss spec ops and here it is. best thursday ever thank you jacob

Hayes Brenner

That was pretty heavy, but very necessary.

Maxine Franklin

omg, so excited to watch this. Thank you Jacob

Lanth

I'd like to say something outraged about the repeated lies and war crimes but mostly I'm just tired.

Jake Brabec

This was really excellent work. It’s emotionally exhausting to look at the way we casually write off civilian lives like this. This game really feels a little ahead of its time. If it was released now people would say it’s too political/woke/whatever.

Krispy Kimson

That brings up an obvious question, the video alludes to the usage of WP itself as a war crime, but only seems to frame it in the context of its usage against civilians. So I wonder what Jacob’s stance is when it’s applied in a purely military context, does it make it okay then too? If not, I have to note the absence of the most recent and abundant example of liberal WP usage in the 21st century, the Russian Military in the Ukraine war. WP as a military tool is undeniably efficient at its stated goal, to burn and flush out targets in an entrenched position, which the Russians have demonstrated to quite the effect. The footage from r/combatfootage of WP raining down on Ukrainian positions in the Donbass is haunting. Does the absence of such an example mean that this video essay only condemns WP usage against civilians and endorses it against military targets? Or is Jacob’s stance is that usage of WP regardless of intent or target type is a war crime?

Dang Nguyen

Another beautiful, dreadful piece of work. I am obsessed with the mural in this game which depicts the female victim of the white phosphorus attack clutching her child. As somebody who was brought up in Catholic schools my whole life, I immediately saw the deliberate reference to the Virgin Mary and the child Jesus. Associating these symbols of utmost holiness and innocence and purity in western art with the victims of a horrific attack is a very effective way of levelling an accusation of evil at the ones responsible for their deaths. It reminds me of some art I saw during the black lives matter protests, which depicted an orthodox icon of the Virgin Mary holding, the child Jesus in her lap in the motif known as the throne of wisdom, but the Christ child was simply a black outline, like the image on a target at a firing range