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In my latest video, I focused on enhancing my music production techniques by creating a global chord track in Bitwig Studio. Here are the key moments:

  • I started by setting up a new instrument track named "global chords" and added a note clip to it.
  • For sound, I chose a synthesizer with a saw wave and unison, along with a bandpass filter and some tag to define the tone.

Key Steps in Building the Chord Progression:

  • I crafted a chord progression starting with A, building a chord with a minor third, perfect fifth, minor seventh, and ninth. This resulted in a pleasing chord structure.
  • I then duplicated this chord to create three chords in my progression. The second chord was an inversion of the first, with altered bass notes, giving it a unique sound despite the similarity.
  • The bass notes were adjusted to create a descending line and a shared top note, resulting in a cohesive minor chord progression in A minor.

Enhancing the Track:

  • Next, I considered adding a piano solo on another track. Since the progression was in A minor, I focused on the white keys and used a key filter set to A minor.
  • I employed a note grid in polyphonic mode with 12 voices, adjusting it to allow only notes from the global chord track. This setup dynamically changes with the chord progression, ensuring that any played notes match the underlying chords.
  • I also discussed how this setup is beneficial for those not proficient in piano, as it allows for rhythmic expression while the pitch quantizer manages the pitch accuracy.

Bass Line Creation:

  • For the bass line, I used a similar approach with the note grid, focusing on lower octaves.
  • I implemented a poly to mono conversion to isolate the lowest bass note from the chord progression. This allowed me to create a bass line that complemented the chords without manual selection of notes.

Concluding Thoughts:

  • I reflected on the flexibility and potential of this setup in Bitwig Studio, comparing it favorably to more complex systems like Cubase’s chord track.
  • I acknowledged that while the current setup is effective, there are possibilities for further refinement, particularly in expanding beyond the limited notes of the chord progression.

Files

piano players hate me

Yo, you cant play piano, with this global chord track you'll never play out of key. Easy straight forward solution for playing keyboard on top of a chord progression. Change key and progression later on and the whole project will use it. -- 💕 Support me on Patreon: https://bit.ly/3PgbxZz 💰 or donate via Paypal: https://bit.ly/3cae9t8 🎧 Buy my Music: https://polarity.bandcamp.com/ 💾 Download my Tools / Github / Resources: https://polarity-dnb.de/blog/polarity-music-tools-samples-and-bitwig-presets-update-2019.html 💻 Check out my gear on Kit: https://kit.co/polarity/polarity-music-kit -- DEALZ: 🛒 Buy Bitwig Studio & Support me https://bit.ly/3yQEyDU 🛒 Upgrade Bitwig Studio & Support me https://bit.ly/3OimEjc 🛒 VST/AU Plugin Deals https://bit.ly/3zcvo66 -- SOCIAL MEDIA Discord: https://discord.gg/eWwFBww Blog: https://polarity-dnb.de/blog/ Twitter: https://twitter.com/polarity Reddit: https://www.reddit.com/user/polarity-berlin/ Business Inquiries: robert@polarity-dnb.de Paypal Donations: donate@polarity-dnb.de

Comments

Alexandre Enkerli

Interesting kludge. Nice way to overcome #pianocentrism, which is so pervasive in our scene. (Personally, while I never became proficient in keyboarding despite years of piano lessons, both required and informal, I’ve found grid-based controllers way easier to learn. For instance, a layout similar to the strings on a bass guitar (or the first four strings on a guitar) has become quite prominent on different devices, from Launchpad to GeoShred, Push to LinnStrument. We can call it “chromatic rows in fourths” or just “fourths grid”. It’s isomorphic in that the same shape/gesture has the same results in any key. Another option for layouts is some kind of hex grid. Tomorrow, I should receive my Exquis from Intuitive Instruments. If what they say is true, it should be really easy to learn. Especially for music based on stacked thirds, as remains dominant from the Common Practice Era to today’s electronic music, in no small part because of German musical traditions.) Anyway, back to chord tracks. While you’ve “read my mind” on the previous video, this isn’t really what we need as a chord track. At least, not in terms of the full experience we're supposed to have with a chord track. Never really used Cubase, so I don’t know what the affordances there are for deep chord work or limitations in that method. I guess the mean examples I have in mind come from Tracktion’s Waveform and from some “theory plugins” which implement their own pianoroll with an elaborate routing system. More to the point, apps designed specifically for Jazz-style improvisation provide a great model for how things can work. Sure, it's neat to filter any note which isn't in the chord. It’d be neater to have an idea of which chord we're in, at any given moment (and, better yet, which chord is coming up). Besides, BWS could really improve on things for everyone, including through tuning each chord appropriately (one option being “Hermode Tuning”, also from Germany). So, I still hope Bitwig GmbH will implement chord tracks at some point. Maybe not through the 5.x period. Could be great for BWS 6.0!

ZenBreeze

This is really useful, but the confusion I often encounter is how to see what chords the corresponding small verses are in the entire song, and how the lyrics should be displayed. Do you have any suggestions?