Home Artists Posts Import Register

Content

In this Bitwig tutorial, we explore an interesting approach to music creation:

  1. Starting with Polymer Synthesizer: We begin by inserting a Polymer synthesizer on an instrument track.
  2. Using Node Grid for Monophonic Mode: Instead of traditional nodes, we utilize a node grid in monophonic mode, deleting node inputs.
  3. Pitch and Ratio Selection: A pitch is selected randomly (e.g., D#3), and additional nodes are created, each using a ratio of the previous node.
  4. Step Modulation for Variation: We apply step modulation, setting it to five steps and randomizing to modulate the denominator. This creates a polyrhythm effect.
  5. Trigger and Head Sounds Generation: By comparing pitch to a delayed pitch using a comparator, we generate triggers for creating head sounds.
  6. Reverb Addition and Sequencing: A reverb is added for depth. We then sequence the notes using a node receiver and ARP, adjusting steps and octave changes.
  7. Quantizing and Second Polymer Synthesizer: Post-quantization, a second Polymer is introduced, using step modes for varied settings.
  8. FX: Convolution and Delay: In the FX track, convolution and delay are applied for textural enhancement.
  9. Inverting Pitches with Node Grid: A second node grid inverts pitches and quantizes them, aligning with the correct scale.
  10. Chords and Multiple Voices: We use multiple voices for chords, and an octaver to adjust pitches.
  11. Project Demonstration: The tutorial concludes with a demonstration of the project, highlighting the ease of generating notes using the node grid without a piano roll. The technique draws inspiration from the subharmonic method used in Moog synthesizers.

This approach in Bitwig allows for creative and unconventional music creation without relying on traditional note input methods.

Download: Project in the video, alternate project

Files

too lazy for notes

today im creating something unusual in Bitwig based on ratios and some simple note grid ideas. You can get the project on my patreon. -- 💕 Support me on Patreon: https://bit.ly/3PgbxZz 💰 or donate via Paypal: https://bit.ly/3cae9t8 🎧 Buy my Music: https://polarity.bandcamp.com/ 💾 Download my Tools / Github / Resources: https://polarity-dnb.de/blog/polarity-music-tools-samples-and-bitwig-presets-update-2019.html 💻 Check out my gear on Kit: https://kit.co/polarity/polarity-music-kit -- DEALZ: 🛒 Buy Bitwig Studio & Support me https://bit.ly/3yQEyDU 🛒 Upgrade Bitwig Studio & Support me https://bit.ly/3OimEjc 🛒 VST/AU Plugin Deals https://bit.ly/3zcvo66 -- SOCIAL MEDIA Discord: https://discord.gg/eWwFBww Blog: https://polarity-dnb.de/blog/ Twitter: https://twitter.com/polarity Reddit: https://www.reddit.com/user/polarity-berlin/ Business Inquiries: robert@polarity-dnb.de Paypal Donations: donate@polarity-dnb.de

Comments

Alexandre Enkerli

Subharmonicon? Ha! That explains it! tbh, I was slightly puzzled, this time around. A bit more difficult to follow where you were headed with all this. The outcome is interesting and the project does make sense as a way to simulate some of what the Subharmonicon does (which is itself difficult to grasp, outside of context).

polarity_music

Haha, I didn't waste many introductory words on where this journey is heading. But I find it more exciting for the viewer. Maybe. But yeah, the Subharmonicon is indeed a very special synth. And super easy to recreate in the grid with the ratio modules!

Anonymous

I tried this with my NL3, and it worked pretty well, except I have to create a loop region and then play to have the pitch change. It was fun to build as a new Bitwig user coming from Studio One. Many thanks to all your hard work!